Tuesday, May 30, 2017

Tuesday, May 30 Review of task 3; task 2 argumentative essay of common core ela




Response to the excerpt from Alone by Richard E. Byrd:

Byrd student exemplar

http://www.nysedregents.org/hsela/116/hsela12016-rgwc.pdf


Student responses to excerpt for Dracula by Bram Stoker

Dracula response



http://www.nysedregents.org/hsela/815/hsela82015-rgwrgc.pdf

Part 2 Argument Directions: Closely read each of the four texts provided on pages 11 through 16 and write a source-based argument on the topic below. 

 You may use the margins to take notes as you read and scrap paper to plan your response. Write your argument beginning on page 1 of your essay booklet.

 Topic: Should American citizens be required to vote in national elections?

OR

Topic: Should food be genetically modified?

 Your Task: Carefully read each of the four texts provided. Then, using evidence from at least three of the texts, write a well-developed argument regarding whether or not American citizens should be required to vote OR should food be genetically modified? 

Clearly establish your claim, distinguish your claim from alternate or opposing claims, and use specific, relevant, and sufficient evidence from at least three of the texts to develop your argument. 

Do not simply summarize each text.

 Guidelines: Be sure to: • Establish your claim regarding whether or not American citizens should be required to vote  OR should food be genetically modified

• Distinguish your claim from alternate or opposing claims

 • Use specific, relevant, and sufficient evidence from at least three of the texts to develop your argument 

• Identify each source that you reference by text number and line number(s) or graphic (for example: Text 1, line 4 or Text 2, graphic) 

• Organize your ideas in a cohesive and coherent manner 

• Maintain a formal style of writing

 • Follow the conventions of standard written English 

*************************************************

Write your first paragraph
    • Introduce the topic
    • Inform the reader of your point of view! (avoid I)
    • Entice the reader to continue with the rest of the paper!
    • Focus on three main points to develop
   *Paragraph two 
 Address  the opposing argument to get it out of the way.
    Do NOT forget to cite correctly. Weave text into your sentences.

* Paragraphs 3 and 4
    Use three different texts with copious evidence. CITE each.
Weave into your own sentences.

Paragraph 5: Conclusion
     Summarize, then conclude your argument.
      Does your conclusion RESTATE (not repeat) you conclusion?
      Refer back to the opening statement, as well as your main points.
      Does your conclusion reflect the succession and importance of your argument?

IMPORTANT: 
  • Establish flow from paragraph to paragraph
    • Keep your voice active
    • Quote sourcesto establish authority
    • Stay focusedon your point of view throughout the essay
    • Focus on logical arguments
    • Don't lapse into summary
      in the development--wait for the conclusion
TRANSITIONS between and within paragraphs

LOGICAL RELATIONSHIPTRANSITIONAL EXPRESSION
Similarityalso, in the same way, just as … so too, likewise, similarly
Exception/Contrastbut, however, in spite of, on the one hand … on the other hand, nevertheless, nonetheless, notwithstanding, in contrast, on the contrary, still, yet
Sequence/Orderfirst, second, third, … next, then, finally
Timeafter, afterward, at last, before, currently, during, earlier, immediately, later, meanwhile, now, recently, simultaneously, subsequently, then
Examplefor example, for instance, namely, specifically, to illustrate
Emphasiseven, indeed, in fact, of course, truly
Place/Positionabove, adjacent, below, beyond, here, in front, in back, nearby, there
Cause and Effectaccordingly, consequently, hence, so, therefore, thus
Additional Support or Evidenceadditionally, again, also, and, as well, besides, equally important, further, furthermore, in addition, moreover, then
Conclusion/Summaryfinally, in a word, in brief, briefly, in conclusion, in the end, in the final analysis, on the whole, thus, to conclude, to summarize, in sum, to sum up, in summary


Thursday, May 25, 2017

Thursday, May 25 In class text analysis response.


If you were absent yesterday, you should make arrangements to take the practice reading comprehension.
Unlike the the previous two, which we practiced in class, this was a graded assignment.  I will review the correct responses next Tuesday.

In class today: text-analysis response. There are two samples being distributed, so be mindful that your neighbor will propably have a different text to read. (note the next time you do this will be in the exam.)

I am collecting these at the end of class; however, I will return them at the start of class tomorrow for you to finish.

Make sure to read your task carefully. Underline exactly what you are being asked to do.

Review your guidelines. Make sure you have woven in enough textual evidence to support your thesis. Do not forget to provide an analysis statment at the end. Always ask yourself how or why something is important in terms of the text. One way of considering this is to question what if the particular literary device, literary technique or rhetorical device had not been used.

Sample intro:  The central idea in (insert author with an apostrophe) (instert title and underline) the central idea is ___________________________________. The author uses the (literary device or literary technique or rhetorical device) of _____________________ to develop this theme.

Or
 In  (insert author and title underlined) the central idea is _____________________. To develop this theme, the author uses the (literary device or literary technique or rhetorical device) of ____________________________________.

Thursday, May 25 scoring guide for personal photo project

Name_________________________________ Personal photo project grading
 Theme______________________________________
  close-up, medium-range shot, establishing shot, accurate use of phi grid / rule of thirds, horizontal and vertical format, understanding of the horizon line placement, conscious use of lighting, varied perspective (tilting up or down to convey meaning), conscious framing
           Possible number of points 62     Points received _________
                                                                                                                                         
1. your picture   / theme stated                                  
2. setting / time / brief description of image / type of shot /technical goal/ cut line                
3. setting / time / brief description of image / type of shot /technical goal / cut line                 
4. setting / time / brief description of image / type of shot /technical goal / cut line
5. setting / time / brief description of image / type of shot /technical goal / cut line
6. setting / time / brief description of image / type of shot /technical goal/ cut line
7. setting / time / brief description of image / type of shot /technical goal / cut line
8. setting / time / brief description of image / type of shot /technical goal / cut line
9. setting / time / brief description of image / type of shot /technical goal / cut line
10.setting / time / brief description of image / type of shot /technical goal / cut line
11. setting / time / brief description of image / type of shot /technical goal / cut line





Tuesday, May 23, 2017

Tuesday, May 23 ela common core reading comprehension review

In class: vocabulary quiz on rhetorical techniques
              Reading comprehension practice.

Part 1 Directions (1–24): Closely read each of the three passages below. After each passage, there are several multiplechoice questions. Select the best suggested answer to each question and record your answer on the separate answer sheet provided for you. You may use the margins to take notes as you read.

 Reading Comprehension Passage A …

The windows were open and the room was filled with loud, unearthly shrieks. Mrs. Munson lived on the third floor, and across the street was a public school playground. In the late afternoon the noise was almost unbearable. God, if she’d only known about this before she signed the lease! With a little grunt she closed both windows and as far as she was concerned they could stay that way for the next two years. But Mrs. Munson was far too excited to be really annoyed. Vini Rondo was coming to see her, imagine, Vini Rondo.…and this very afternoon! When she thought about it she felt fluttering wings in her stomach. It had been almost five years, and Vini had been in Europe all this time. Whenever Mrs. Munson found herself in a group discussing the war she invariably announced, “Well, you know I have a very dear friend in Paris this very minute, Vini Rondo, she was right there when the Germans marched in! I have positive nightmares when I think what she must be going through!” Mrs. Munson said it as if it were she whose fate lay in the balance. … “Vini, back in America,” she thought, never ceasing to revel in the wonder of it. She puffed up the small green pillows on the couch and sat down. With piercing eyes she examined her room. Funny you never really see your surroundings until a visitor is expected. Well, Mrs. Munson sighed contentedly, that new girl had, for a rarity, restored pre-war standards. The door-bell rang abruptly. It buzzed twice before Mrs. Munson could move, she was that excited. Finally she composed herself and went to answer. At first Mrs. Munson didn’t recognize her. The woman who confronted her had no chic up-swept coiffure … indeed her hair hung rather limply and had an uncombed look. A print dress in January? Mrs. Munson tried to keep the disappointment out of her voice when she said, “Vini, darling, I should have known you anywhere.” The woman still stood in the threshold. Under her arm she carried a large pink box and her grey eyes looked out at Mrs. Munson curiously. “Would you, Bertha?” Her voice was a queer whisper. “That’s nice, very nice. I should have recognized you, too, although you’ve gotten rather fat. [sic] haven’t you?” Then she accepted Mrs. Munson’s extended hand and came in. … Vini smiled and Mrs. Munson noticed how irregular her teeth were and decided they could do with a good brushing. “So,” Vini continued, “when I got back in New York last week I thought of you at once. I had an awful time trying to find you because I couldn’t remember your husband’s first name.…” “Albert,” Mrs. Munson put in unnecessarily. “… but I finally did and here I am. You know, Bertha, I really started thinking about you when I decided to get rid of my mink coat.” Mrs. Munson saw a sudden blush on Vini’s face. “Your mink coat?” “Yes,” Vini said, lifting up the pink box. “You remember my mink coat. You always 10 5 15 20 25 30 35 40 Regents Exam in ELA (Common Core) — Jan. ’17 [2] admired it so. You always said it was the loveliest coat you’d ever seen.” She started to undo the frayed silk ribbon that held the box together. “Of course, yes of course,” Mrs. Munson said, letting the “course” trill down softly. “I said to myself, ‘Vini Rondo, what on earth do you need that coat for? Why not let Bertha have it?’ You see, Bertha, I bought the most gorgeous sable in Paris and you can understand that I really don’t need two fur coats. Besides I have my silver-fox jacket.” Mrs. Munson watched her parting the tissue paper in the box, saw the chipped enamel on her nails, saw that her fingers were jewel-less, and suddenly realized a great many other things. “So I thought of you and unless you want it I’ll just keep it because I couldn’t bear to think of anyone else having it.” She held the coat and stood turning it this way and that. It was a beautiful coat; the fur shone rich and very smooth. Mrs. Munson reached out and ran her fingers across it ruffling the tiny hairs the wrong way. Without thinking she said: “How much?” Mrs. Munson brought back her hand quickly, as though she had touched fire, and then she heard Vini’s voice, small and tired. “I paid almost a thousand for it. Is a thousand too much?” Down in the street Mrs. Munson could hear the deafening roar of the playground and for once she was grateful. It gave her something else to concentrate on, something to lessen the intensity of her own feelings. “I’m afraid that’s too much. I really can’t afford it,” Mrs. Munson said distractedly, still staring at the coat, afraid to lift her eyes and see the other woman’s face. Vini tossed the coat on the couch. “Well, I want you to have it. It’s not so much the money, but I feel I should get something back on my investment.…How much could you afford?” Mrs. Munson closed her eyes. Oh, God, this was awful! Just plain damned awful! “Maybe four hundred,” she answered weakly. … Vini leaned against the wall, her pale face looking hard in the magnified sunlight of the big bedroom windows. “You can make out the check to me,” she said disinterestedly. “Yes, of course,” Mrs. Munson said, suddenly coming back to earth. Imagine Bertha Munson with a mink of her own! They went back into the livingroom and she wrote the check for Vini. Carefully folding it, Vini deposited it in her small beaded purse. Mrs. Munson tried hard to make conversation but she came up against a cold wall at each new channel. Once she asked, “Where is your husband, Vini? You must bring him around for Albert to talk to.” And Vini answered, “Oh, him! I haven’t seen him for aeons. He’s still in Lisbon for all I know.” And so that was that. Finally, after promising to phone the next day, Vini left. When she had gone Mrs. Munson thought, “Why, poor Vini, she’s nothing but a refugee!” Then she took her new coat and went into the bedroom. She couldn’t tell Albert how she got it, that was definite. My, but he would be mad about the money! She decided to hide it in the furthest reaches of her closet and then one day she’d bring it out and say, “Albert look at the divine mink I bought at an auction. I got it for next to nothing.” Groping in the darkness of her closet she caught the coat on a hook. She gave a little yank and was terrified to hear the sound of ripping. Quickly she snapped on the light and saw that the sleeve was torn. She held the tear apart and pulled slightly. It ripped more and then some more. With a sick emptiness she knew the whole thing was rotten. “Oh, my God [sic] she said, clutching at the linen rose in her hair, “Oh, my God, I’ve been taken and taken good, and there's nothing in the world I can do about it, nothing in the world!" For suddenly Mrs. Munson realized Vini wouldn't phone tomorrow or ever again.-



Truman Capote excerpted from “A Mink of One’s Own” Decade of Short Stories, 1944 

1) The opening paragraph introduces Mrs. Munson’s character by establishing her
 (1) compassion   2  deception
(3) intolerance ( (4) resourcefulness

 2) The statement “Mrs. Munson said it as if it were she whose fate lay in the balance” (lines 12 and 13) serves to illustrate Mrs. Munson’s desire to
 (1) impress others          (2) incite conflicts
 (3) justify behavior ( (4) avoid criticism

 3) Lines 21 through 24 signal a transition in Mrs. Munson’s attitude from one of 
(1) loyalty to betrayal             (2) anticipation to confusion
 (3) friendship to hostility (4) sympathy to indifference

 4) The description in line 38 implies that Vini has a 

(1) carefree past           (2) hidden motive
 (3) fiery temper            (4) secret identity

 5) The purpose of Vini’s comments in lines 44 through 46 is to

 (1) expose Vini’s stinginess (2) describe Vini’s coat
 (3) characterize Mrs. Munson (4) entrap Mrs. Munson

 6) Based on the details in lines 47 through 49, Mrs. Munson discovers that Vini

(1) is meticulous about her appearance
 (2) is comfortable in her circumstances
 (3) has an inflated self-image 
(4) has experienced difficult times


7) Lines 71 and 72 refine a central idea by emphasizing Mrs. Munson’s 

(1) indignation regarding Vini
(2) irritation with negotiators
 (3) concern for appearances
 (4) suspicion regarding Vini 

8) In the context of the text as a whole, the purpose of Mrs. Munson’s imagined conversation in lines 83 and 84 is to 

(1) convince her husband to buy her a new mink
 (2) rehearse an excuse for a costly purchase
 (3) protect an acquaintance from persecution
 (4) share her successful negotiations with her husband

 9) What mood is created by the final paragraph? 

(1) desperation
 (3) satisfaction 
(2) aggression
(4) exhilaration 

10) Which statement from the text best foreshadows Vini Rondo’s true intentions for the visit?
 (1) “Funny you never really see your surroundings until a visitor is expected.” (lines 16 and 17)
 (2) “It buzzed twice before Mrs. Munson could move, she was that excited.” (lines 19 and 20)
 (3) “The woman who confronted her had no chic up-swept coiffure … indeed her hair hung rather limply and had an uncombed look.” (lines 21 and 22)
 (4) “Down in the street Mrs. Munson could hear the deafening roar of the playground and for once she was grateful.” (lines 58 and 59)


Sunday, May 21, 2017

Monday, May 22 review of passive / acitve voice/ misused words and reading comp practice

Coming up: quiz tomorrow on rhetorical terms (handed out last Tuesday; another copy below)

Last chance to turn in passive to active voice assignment.

In class: review of recent assignment;
               review of misused words assignment
               Practice Reading Comprehension 

Review of passive  to active voice assignment.

Name______________________
Passive to active voice    Directions: Change each passive voice sentence into the active voice. Note you may need to adjust the form of the verb.

1.            The rock star was constantly chased by photographers.
The photographers chased the rock star.
2.              Our vehicle had been stolen from our garage by the same burglary team.
 The same burgulary team stole our vehicle from the garage.
3.             Melissa was taken to Disney World by the people in the office.
The people in the office took Melissa to Disney World.
4.             All of the data on the hard drive was erased by the careless blogger.
           The careless blogger erased all of the data on the hard drive.
 
5.             All Siamese cats are held by the SPCA for four days. 
             The SPCA holds all cats for four days.

6.            Allison was stunned by the actions of her classmates.
The actions of her classmates stunned Alison.
Alison's classmates' actions stunned her.
7.            A good insurance plan can now be gotten by all drivers.
All drivers can now get a good insurance plan.
8.             An election was held by the township to determine the boundaries of all districts.
          The township held an election to determine the boundaries of all districts.

9.             A full tuition scholarship is presented to the winner each year by the judges.
The judges present a full tuition scholarship to the winner each year.
10.        A good deal of money will be made by that investment.
That investment will make a good deal of money.
   11.  The television was purchased by a young man as a Father's Day gift. 
              The young man purchased the television as a Father's Day gift.
           
12.  A colorful blanket for the new baby was knitted by a family friend.
           A family friend knitted a colorful blanket for the new baby.

13.  Three finalists will be given prizes by the film festival judges tonight.
            The film festival judges will give three finalist prizes tonight.

14.  Peter Rabbit has been told by his mother not to play in Mr. McGregor's garden. 
                      Peter Rabbit's mother told him not to play in Mr. McGregor's garden.


15. The mittens were lost by the three little kittens. 
            The three little kittens lost their mittens.


16.  Sally and I were treated to an old blues tune by the pianist while we ate. 
               The pianist treated Sally and me to an old blues tune while we ate.

17.  The man was rescued by a mysterious woman in a cape.
           A mysterious woman in a cape rescued the man.
           

18.  Ella complains that she is always given a million excuses by her daughter.
          Ella's daughter always gives her a million excuses.
          Ella complains her daughter always has a million excuses.

19.  In this picture, my brother is being given a violin lesson by our cousin, Jessica.
         In this picture, our cousin Jessica is giving a violin lesson to my brother.

20.  When the bread arrived, it was gobbled down by the hungry guests. 
         The hungry guests gobbled down the bread when it arrived.

*************************************************
Commonly misused words
1.      Carl appears to be smarter (then, than) his brother.
2.      Randolph (accepted, excepted) my invitation to dinner.
3.      She usually bought (to, too, two) loaves of bread at a time.
4.      The books (were , we’re, where) all lying face down on your desk earlier this morning.
5.      (It’s, Its) been three days since I have heard from Joe.
6.      I will try not to let his words (affect, effect) me.
7.      If (were, we’re, where) not supposed to watch TV, then what are we supposed to do?
8.      It is understood (then, than) that there will be no test on Friday.
9.      You take (to, too, two) many chances when you dive from that cliff.
10.  Even though we complained to the manager, (there, their, they’re) has been no change.

11.  With (it’s its) flat tire, the car could not move at all.
12.  We asked the movers to place the boxes (there, their, they’re).
13.  The horror movie did not (affect, effect) him at all.
14.  I wonder whether (there, their, they’re) going to the mall.
15.  Yes, I suppose that I would like to see that movie (to, too, two).
16.  Everyone (accept, except) Dr. Smithers agreed to take part in the procedure.
  
17.  Your experiences as a child (affect, effect) your adult behavior greatly.
18.  When (it’s its) late, many people go home.
19.  She is going (to, too, two) begin her swimming course in one week.
20.  Crossing the wires produced an explosive (affect, effect).
21.  Later, they walked back to (there, their, they’re) hotel.
22.  The three friends went (to, too, two) a lake in New Hampshire for their annual fishing trip.
  
23.  Unfortunately, the only (affect, effect) of the protest was a tightening of security.

24.  George runs (to, too, two) much; consequently, he is always exhausted.
25.  She will leave on Saturday, and I will leave (then, than) too.
26.  Unfortunately, I don’t know (were, we’re, where) I am going.
27.  The chefs left (there, their, they’re) aprons hanging on the stove knobs.
28.  Marlene has always gotten higher grades (then, than) her brother George.
29.  The dog caught (its,it's) tail in the door.
30.  Your kindness will leave a lasting (affect, effect) on me.
*************************************************

 Reading Comprehension Passage B

In the Wild

My brother and I hardly talk. I talk to my lawn mower                          1
more and I don’t have a lawn mower. I have a lawn
that’s mostly clover and spots where dirt
has refused clover. The clover comes over
from the fields surrounding my yard,                                                       5
where cows graze and geese too, who drive the cows nuts
in how they are not cows. These territorial battles
are more familiar when they come with ties or guns.
I wish everyone who used a gun wore a tie
or everyone who wore a tie carried a surfboard.                                    10
If I surfed I could call my brother from the rolling,
sneering lip of the Pacific and ask how he’s doing
in Alaska teaching kids whatever it is kids need to know,
how to solve for x, I guess. It would be one thing
were there one x and you solved the equation                                        15.
and ever after wore the answer on your T-shirt
and life was keeping that T-shirt relatively clean,
but there are x xs to solve for and no one to say
this is the x that matters. This poem
needs a better attitude: things could be worse.                                       20
I could be an animal estranged1 from its own kind
and mind by an awareness of its own kind
and mind and not the ocelot or giraffe
I suspect I am when I stay away from mirrors. Lately,
brother, I would so love to be the possum                                             25
that eats the dry cat food we leave out for gray cat
often and orange cat sometimes, the possum
who cleans himself—or herself, I’m not going to check—
very much like a cat. I’m not going to lie:
in the wild, we’d have gone our separate ways                                     30
long ago, and snarled if we met after that
had we the snarling apparatus, or run if our legs
were long and thin, or fought with tusks
or fangs, so what’s wrong here: maybe nothing,
brother. And maybe every mute second is our last                                35
last chance.


—Bob Hicok


from The Georgia Review
Winter 2010
                                                                         estranged — distant

11 The narrator’s statements in lines 1 and 2 convey
a sense of
(1) fear                 (3) objectivity
(2) disbelief           (4) irony


12 The reference to the T-shirt in lines 14 through
                 19 contributes to a central idea by suggesting that

(1) errors are common
(2) relationships are complex
(3) stability is important
(4) desires are futile


13 The figurative language in lines 19 and 20 serves to

(1) illustrate an example
(2) foreshadow an event
(3) signal a transition
(4) predict a resolution

14 The language in lines 29 through 35 reveals the
narrator’s belief that siblings are

(1) mutually dependent
(2) generally friendly
(3) naturally oppositional
(4) largely unconventional



***************************************************
Quiz: Tuesday, May 23


Rhetoric is a technique of using language effectively and persuasively in spoken or written form. It is an art of discourse, which studies and employs various methods to convince, influence or please an audience.
What are rhetorical devices? Rhetorical devices are strategies used to put forth your argument. Note that figurative language devices (those marked with an asterisk below) are common rhetorical language devices
Device                                   Definition
1.      anaphora             the repetition of a word or phrase at the beginning of successive clauses
2.      epistrophe         the repetition of a word at the end of each phrase or clause: “I swear to tell the truth, the whole truth, and nothing but the truth.”
3.      analogy                 the comparison of two pairs that have the same relationship. The key is to ascertain the relationship between the first so you can choose the correct second pair. Part to whole, opposites, results of are types of relationships you should find
4.      apostrophe    interruption of thought to directly address a person or a personification: “So, I ask you, dear reader, what would you have me do?”
5.      * imagery                 language that evokes one or all of the five senses: seeing, hearing, tasting, smelling 
                                   touching
6.        counterpoints   contrasting ideas such as black/white, darkness/light, good/bad
7.       * hyperbole          exaggeration or overstatement
8.       irony   an expression, often humorous or sarcastic, that exposes perversity or absurdity
Aristotelian Appeals
9.   logos  appeals to the head using logic, numbers, explanations, and facts. Through Logos, a writer aims at a person's intellect. The idea is that if you are logical, you will understand
10.    ethos  appeals to the conscience, ethics, morals, standards, values, principles
11. pathos  appeals to the heart, emotions, sympathy, passions, sentimentality.

*************************************************************************
For anyone who is absent, the correct responses to the above are:

11 The narrator’s statements in lines 1 and 2 convey
a sense of
(1) fear                 (3) objectivity
(2) disbelief           (4) irony


12 The reference to the T-shirt in lines 14 through
                 19 contributes to a central idea by suggesting that

(1) errors are common
(2) relationships are complex
(3) stability is important
(4) desires are futile


13 The figurative language in lines 19 and 20 serves to

(1) illustrate an example
(2) foreshadow an event
(3) signal a transition
(4) predict a resolution

14 The language in lines 29 through 35 reveals the
narrator’s belief that siblings are

(1) mutually dependent
(2) generally friendly
(3) naturally oppositional
(4) largely unconventional